Washington Post, Rezital Washington Kennedy Center, 10.April 2008

"From Pianist Benjamin Moser, Single-Handed Finesse.(...) After hearing his program, it would be hard to imagine Moser making an ugly sound. We would expect beautiful playing in the "October" and "January" movements from Tchaikovsky´s "The Seasons"- turned out here with a wistfulness and singing tone that brought Schumann to mind - and in Skrjabin´s Two Pieces for the Left Hand Op.9, which many pianists could not have made sound so rich and full as Moser´s performance if they had used both hands. But with certain pianists, Skrjabin´s B Minor Fantasy, Op.28, the "Scarbo" from Ravel´s "Gaspard de la Nuit" or the finale of Prokofiev´s seventh sonata can be made to hector. Not here. In each piece, Moser´s masterly pedaling, powerful but controlled left hand and scrupulous layering of dynamics ensured a clarity and solidity to the sound that never lost tonal luster, even at triple forte. And, more crucially, every piece spoke from the heart."

New York Times, Rezital Carnegie-Zankelhall New York, 28.März 2008

"His technique and musicality were shown to fine effect in Skrjabin´s Chopinesque "Two Pieces for the left hand" (...), in Mr. Moser´s eloquent performance it seemes as if two hands were playing. Both of them flew across the keys in his passionate, colourful rendition of the composer´s tumultuous Fantasy in B minor Op.28. (...) The program also included Elis:Three Night Pieces by Heinz Holliger (...). Mr.Moser gracefully played the three short abstract movements. For encores, Mr.Moser, who was certainly an audience favourite on Tuesday, offered a fiery, virtuosic rendition - notable for its chrystalline articulation and driving momentum - of the third movement from Prokofiev´s Piano Sonata No.7 and a whimsical interpretation of the first movement of Schumann´s "Kinderszenen".